GIANT SIZED ALDO-THING! BEWARE! HIS WHINGING STINGS A LITTLE!
Ok, been away for a couple of weeks (although thankfully one of them was the JL only week) so will try and catch up.
Justice League #6:
Unbelievably, Cyborg saves the day for everyone. He has no idea how,
and almost does it by accident, mainly because Batman is more of a dad
to him than the one that saved his life a few issues ago. Really? That's
how you resolve the first plot? When George Bush (which looks nothing
like him, and reinforces the point this is supposed to be 5 years ago)
calls them the Super-Friends you really wish they stuck with that
instead of Justice League. Even the Flash's 'Super Seven' is better,
although it does sound like an Enid Blyton title. Five Go Mad on
Apokolips? The Pandora backup is pointless rubbish (watch me retract
this when it actually develops into a good plot) though. Bring on the
next story.
Action #7: There are some things to
love about this. Lex's resigned tone when he realises he's been shrunk.
The re-appearance of the short man from #1. But there's lots not to like
too. Braniac is the internet. The dad dancing of people holding up
their iPhones instead of lighters. Solly Fisch gets another paycheck for
something GMoz can't be arsed writing. This is better than the last
couple of issues but it's treading water badly. You definitely get the
impression GMoz just doesn't want to be here - that he lost interest as
soon as they asked him to split his story up and write some filler books
for his own work - and that's a shame because it should (arguably) be
the flagship title of the line and instead isn't any better than some of
the mid-level stragglers narrowly avoiding cancellation. I feel let
down, but I don't know why I expected any better.
Animal Man #7:
Ellen manages to sum up how I begin to feel about this book - "You do
realise you're listening to a talking cat, don't you?" Yes, it's an
avatar of the Red but, you know, it's still a talking cat that eats cat
food. Cliff tries to pick up girls by telling them who his dad is, while
under strict instruction not to draw attention to themselves. So Buddy
flies him away. Ellen's mum cries because of what she's seen and not
because animals are rampaging everywhere, although she'll no doubt find
out soon because she's gone off alone in the dark. The Swamp Thing
crossover may or may not be taking place over 10 years in the future,
which is somewhat confusing. This feels like the last days of the last
Animal Man story, when Buddy was a giant bird travelling up and down the
West coast of America. I don't know whether that's a good thing or a
bad thing, but I suspect I'll find out soon.
Batgirl #7:
Waking up women in the middle of the night for a fight seems to be
Babs' new tactic. I'm not sure it works. Still, in this book that a
single artist couldn't be bothered finishing it's maybe the most notable
thing about it. It's just very average stuff. And then it turns out the
villain is a guy Brian Bolland drew 24 years ago in the background. Ho
hum.
Batman & Robin #7: Oooh, the cover is
dreadful. Anyway, Bats turns up in Boba Fett's Slave 1 and crashes
through the roof so we don't have to read through the torture porn we
got promised last month. Bats and the bad guy compare daddy issues and
then Batman throws him in a vat of acid but NOT TO KILL HIM. We know
that because once he pulls him out of the acid, Robin punches him once
which kills him. I know, some days you can't do right for doing wrong.
Not the best issue of the run so far, but not the worst either.
Batwoman #7:
I don't know what's happened, but this has turned into directionless
slop. The book takes places in about 5 different timelines which meet up
in the last couple of pages and in the meantime there's some
not-so-attractive art. I guess I'll stick with it and see if it can
recapture the thrill of the first handful but I'm not holding out that
much hope. A shame.
Demon Knights #7: A blast, as
ever. By the end the Knights have 'won', however, there's nothing much
of anything left to win as it's all been burned or killed or raped or
magicked away or something. It feels like a Silver Age book at times,
and you know what? I'd love to have seen a Kirby version of it. But in
the end we only have the version in my very hands and I'm happy enough
to have that instead. It's not a big seller though, I suspect so I don't
know how much longer it'll be on the shelves.
Detective Comics #7:
The Penguin story concludes with a mass of double crosses and
explosions. I hope Combustible survives, as I quite like the idea of a
giant light bulb in a top hat and bow tie who speaks like he's from the
20s. Snakeskin's powers don't work until he stops betraying the Penguin
it appears. Sometimes it's just not your day.
Frankenstein #7:
Woohoo! Ray Palmer uses his Atom power in this issue. It's the
undoubted highlight, as the remainder is fairly bland base-under-siege
fare in need of a bigger plot. Although as the baddie at the end is
revealed to be Frankie's son, this may mean slipper-on-backside action
next month. And Frankie only wears clumpy boots, so that could be more
violent than it sounds. I have no idea why I'm still buying this.
Legion Lost #7:
This is the end of the plot according to the final page but I can't
really work out what's finished or where or how as it isn't materially
different from the issues that have gone before. It's still fun, but in a
fans only way and is about to lead into a giant punch-up with Superboy
which will either be great or crap. I know which one my money's on.
Red Lanterns #7:
Ragey McRage fights Guy Gardner for a bit, then does that acid blood
vomit thing and flies off into space. Bleez has taken the Red Lanterns
to beat the crap out of what's left of the Sinestro Corps. Atrocitus
wanders about in the jungle thinking about a dolly. And then gets
stabbed by a corpse just as Ragey McRage shows up. A regular day in Pete
Milligan's head then. Still crap.
Stormwatch #7: Um. What? Wordy confusing rubbish. Time to pull it.
Suicide Squad #7:
Hooray! Amanda Waller blows the head off a JT Krul creation! Wishful
thinking on Adam Glass' behalf? A metaphor for comics readers
everywhere? But the rest of the issue... wow. The retelling of Harley
and her pudding is cute fun but I don't think any of us saw the end
coming. Best thing in this whole pile by a significant margin.
Swamp Thing #7:
Maybe that last entry was an overstatement. This pushes it unbelievably
close and might actually be better. It's basically and extended lecture
to Alec from the Parliament of Trees surrounded by some gorgeous
artwork, but Alec's submission to the inevitable and the retribution
show this is a keeper. Scott Snyder is writing nearly all the best books
in the Johnsiverse. How does this happen? A triumph, whatever.
BONUS BACKUP STORY! ALDO WHINGES ABOUT THE SHITE HE WASN'T PREPARED TO PAY FOR!
Batwing #7:
As this story comes to an end, I'm actually enjoying it again. It was
never strong enough to be title on its own but it's actually been pretty
strong and the revelation of the shame of The Kingdom and the
subsequent fallout is pretyt rivetting. It doesn't need the whole
Batclub, but they're not really in it enough to matter. As a book, a
failure, but probably worth getting as a trade for people who do that
sort of thing.
Green Arrow #7: What a difference having an actual writer makes. It's still not any good,
but it's a step in the right direction. The annoying triplets feels
like it's been done lots of times before but is distracting enough, and
the jet crash is (I'm sure) supposed to be reminiscent of the original
crash in the sea (yes, I know it was a yacht) in the original original
origin. Yes, since this is the New DC then sex and lust have to be the
trap but I'm sure Anne Nocenti is good enough to shake off the yoke of
DiDiopression. Not going to start buying it, but not painful to read any
more - although the art is vile.
JLI #7: Aargh.
Mid-80s high-emotion people-angst books. "You take care of her, you
hear!" "Lots of people lost good people in the bomb. Yours isn't any
more special." Anyway, Rocket Red gets all his armour blown off, Ice and
Vixen are crippled and Fire is in a coma. Booster and Guy are angry.
Booster is so angry about it, he writes about it on his Facespace page. I
think I've been in a coma since 1988 and am reading a brand-new, just
out book. Help me.
Men of War #7: The first story is like Garth Ennis' War Stories books, only not any good. The second is by JT Krul. A waste of paper.
OMAC #7:
And now, in the second last issue, it throws Kamandi into the mix as
well. A misunderstood masterpiece, even if it rips off Kirby in EVERY
SINGLE PANEL. Another one where people should buy the trade, as the
collected edition of this will be an absolute joy.
Static Shock #7:
Conversely, there is nothing to enjoy about this at all. Except maybe
"Phayze". That's a hip and happening name for a black teenage villain, I
imagine. What's that? It isn't? Oh well.
Deathstroke #7: Do you really need me to tell you? Daddy issues and blokes stabbing each other. As entertaining as you'd imagine it is.
Green Lantern #7:
Hal doesn't want to be GL any more. Sinestro tries to convince him he
should, so Hal responds by becoming GL in protest. Wtf? Anyway, they
have to stop the Indigo Tribe (who may be the Guardians' new pet
project) and get transported into space, so Carol becomes Star Sapphire
again. Plus some other history from Geoff Johns books you've never read
or cared about. What I still don't get is how the GLs avoided
Flashpoint, since it was supposed to be Barry Allen changing time
everywhere although he did for some Lanterns, just not all of them.
Editor!
Grifter #7: A long fight between Grifter
and Midnighter, interspersed with them spouting more Wildstorms shite to
alleviate the FITEING does not make an entertaining book. I can't work
out who wins, but Midnighter now seems to have atomic fists.A waste of
time.
Mister Terrific #7: Invisible enemies.
Again. I swear half the books in the reboot have had invisible foes at
some point. I have decided it is just to save ink. There's no other
explanation. And there's no explanation for paying money for this book.
Bottom of the barrel stuff. Digitus turns up next month, apparently. I
bet you can't wait.
Resurrection Man #7: MAKE IT
STOP. In this issue, some police find Mitch and he dies. Then, luckily,
he gets a power which helps him in the position he's in. Then the
issue's over. I think that's explained every issue to date. It's like
The Littlest Hobo without the dog.
Superboy #7:
No universe punching, just moping round N.O.W.H.E.R.E. fighting jealous
sisters. Fairchild is still alive and Wonder Girl turns up at the end,
just before Grunge. Yes, it's 1992. Oh boy. This leads into RAVAGERS,
apparently, which can't be a good thing.
Hawk & Dove #7:
Liefeld, Liefeld and Marat Michaels. Page 3 implies Dawn has no nipples
(or only one). I'm going with none, given her dress is sheer enough to
show her navel. "Chicken and waffles? My treat?" "See, that's music I
can groove to." Oh, and the foot in Hunter's first panel. Hunter's
super-long and, apparently, bisected arm in the panel where Hawk attacks
him. An Oriental (?) woman with a massive package turns up and explains
the plot to the stars. Entertaining for all the wrong reasons, again.
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