Superman Action Comics W: Grant Morrison P: Rags Morales & Brent Anderson I: Rick Bryant & Brent Anderson
GMoz
is the best writer involved anywhere in the Nu DCU. He knows this. Dan
DiDio knows this. How do we know Dan DiDio knows this? This:
WTF? Has Superman had a stroke? And how come his head is tiny?
But
you know, the writing in this is brilliant. I mean seriously great and
never less than captivating. Even if the art does rip off the Invisibles
(as the original Invisibles page with Mr Quimper that looks like this
is on my wall I'd like to think I know what I'm talking about here).
The
whole sequence with Superman in chains and, most tellingly, Lex's
behaviour - his insistence on referring to Supes as "it" in particular -
is stunning and some of the best comics being written just now. But the
most exciting this about the issue is the proof GMoz reads ILX:
L-R: Tuomas, Deadshot.
Don't miss out on this book.
Animal Man W: Jeff Lemire A: Travel Foreman
You
know what? It's not just GMoz that gets stiffed with artists I can't
stand, Jeff Lemire does to. I know people said last month that ymmv and
they liked him but for me
I mean seriously?
WTF is this shit?
The
writing is pretty great though, even if it is a rewrite of the
post-GMoz A-Man plot. The Red is back, and has some mentallist avatars
in the real world. Meanwhile, Buddy and Maxine are off looking for a
giant hidden tree to eat them.
You heard me. I just wish I could get over the art.
Batwing #2: Still lovely to look at, still Winicky,
still not buying it past #3. The cliffhanger from the last issue is
resolved by "he got better", although in a true Batman way it takes two
weeks, during which the bad guy has advanced his plot NOT ONE IOTA. Once
we've established the hero is well enough again then he continues.
Actually, I quite like the new character that gets introduced and could
have been on the fence for getting this if the same team was sticking to
it, but no.
Detective Comics #2: Blimey, Bruce
Wayne is a right dirty shagger in the new DCU, isn't he? The awesome
climax of the last issue gets forgotten so he can have possibly non-plot
related sex, but when we actually get into it this is still pretty
good. Dollmaker has the makings of a pretty good Bat-villain, even if I
don't like his retinue very much.
Green Arrow #2:
JT Krul just goes from bad to worse. This is truly appalling stuff,
with crap youthspeak peppered throughout and the characters are plain
ridiculous - Lime and Light, for example, are attention-seeking
criminals. Light's power is light, so Lime's power is... not being a
lemon? Making cuts sting? No idea. Anyway, we get the murder of a young
kid just so it can get filmed and put on the Internets, following the
happyslapping theme of the first issue, which is a trap to get GA to
FITE. Which is going to be streamed live on the internets. My head hurts
with the amount of DO YOU SEE in this comic. Dreadful stuff.
Hawk & Dove #2:
Oh my. I thought #1 was bad, but this takes the biscuit. We start with
the introduction of the new villains of the piece, Condor and Swan.
Don't laugh. Actually, this throws away some of the basic premises of
the history of the characters - firstly, Hawk and Dove makes sense
because they are birds we would associate with war and peace and it
makes sense for their avatars to be called that. But what are Condor and
Swan? The gods of getting trapped in valleys and appearing serene while
frantically moving your legs? To make it worse (as if it could be) Swan
becomes Swan after killing Osprey. Now as above, does the god of
catching fish really need an avatar? But also how does he then change
what he's the god of? As we saw after the death of Don and Dove
transferring into Dawn, it doesn't change what the avatar is. The
writing is possibly worse than the first issue but it's a close run
thing. In other news, this is as Liefeld-tastic as the first issue. I
may do another montage.
Justice League International #2:
After a good first issue, this dips back to being a pretty standard
hero book with not much to offer. The one thing that is clear is Dan
Jurgens seems to have lost his ability to write - do we really need
lines like "...and that looks like my native Africa!"? We also learn
that Dan has no idea what menage a trois actually means. Not a winner,
but this issue might just be a blip.
Men of War #2:
The Rock part of this book is better than last month, the SEALS part
worse. Tbh I don't get what the flying woman with the red scarf for
clothes has to do with any of it, but it kind of works and at least
shows the book is going somewhere. The SEALS thing is still going
nowhere though, and takes 8 pages to move the plot on about 3 panels.
And the artist still can't draw feet or ankles.
OMAC #2:
See notes for #1. This is just really more of the same, although the
Brother Eye plot is beginning to expand. This issue kind of reminds me
of RASL, of all things. Probably the most all-out fun of any of the 52
books. You should still all be getting it.
Red Lanterns #2:
After the first issue, this is more philosophical musing on the nature
of rage and anger barely held within the confines of a funnybook. I
think if this was an indie we'd all be raving about it but I'm not
entirely convinced it works in this context. I'm prepared to stick
around and see. We are teased at the end that Atrocitus will make one of
his Red Lanterns more than the vegetative state they currently are. Who
will it be? MAYBE THE ONE THAT'S ALREADY BEEN IN ANOTHER BOOK?
Static Shock #2:
Putting the boot in with yet another shitty book, this is at least
slightly better than #1. I can't really explain why, as flipping through
it to remind myself while I write this there's so much to hate I'd
forgotten about - Dakota being the nexus of America for street gangs,
for example. Somebody should tell Scott McDaniel there's a black
Spider-Man now, so we don't need this one.
Stormwatch #2:
This is more like it. The plot of the first issue is developed at pace
and we get some proper thrill power. Yes, it's still kind of sub-GMoz,
but let's go with it. I'm genuinely looking froward to #3, for nothing
else than to see the teased villain reveal.
Swamp Thing #2:
As Tuomas asked for it last month, this issue explains a lot of the
history he wanted. That done, the second half is a rollercoaster ride
through the threat to our hero with a whole pile of artistic nods to the
Moore/Bissette/Totleben era and a final splash page sure to have you
buying #3. A triumph.
Batgirl #2: Stop trying so hard. This is so tied up
in trying to work the Killing Joke and crippled Babs into the reality of
the current book that it gets in the way of the storytelling. There are
times (the fight in the cemetery, for example) when the book is an
absolute joy and times (the policemen in the hospital) when it's a
complete mess. It's so frustrating, but Gail Simone's a good enough
writer to work past it. I just wish she would, and quickly.
Batman #2:
If the first issue of this was some people's highlight of the #1s, this
may well be the standout #2 for most. An utter pleasure, and the fight
between Bats and NOT NITE OWL is quite superb. Buy this book.
Batman and Robin #2:
If this was issue 217 and not issue 2 I suspect I would be enjoying
this book far more than I am. It's kind of a mid-paced filler book and
the problem is that it has to stand on its own merits, which it fails to
do against the other batbooks. It's not bad as such (the "Yes, that's
exactly where you are tonight!" splash is the closest it gets to that)
but it feels bloated and could be far tighter. Maybe the introduction of
BatDog will help? Good job that's the direction Peter Tomasi appears to
be going.
Batwoman #2: Find a dictionary and
open it. Look up the word awesome. If it doesn't have a picture of
Batwoman #2 in lieu of a definition then throw it out and get a better
one. I have no doubts that this won't keep up the quality (not least if
all the rumours of the issues being in the bank because of the slow pace
JH Williams works at) but enjoy it while it's here.
Birds of Prey #2:
I'm pretty sure I have already cut this book, which on the evidence of
this issue might have been a little hasty. It definitely seems to be
going somewhere, even if it is a bit Sadface in places. On the other
hand, it just isn't distinctive enough to be worth it - I finished it
about 10 minutes ago and the diversion of making a cup of tea has meant I
don't remember a single thing about it. Something that slight isn't
worth your money.
Blue Beetle #2: I definitely
cut this after #1, but #2 is not without its charms. The 'kid trapped in
a suit he can't control and doesn't understand' trope is an old
reliable one and well done here, especially once they get to the party,
but then OH NOES A DESTROYER OF WORLDS IS COMING TO EARTH TO GET THE
SCARAB BACK. We're all doomed (although probably we're not).
Captain Atom #2:
Hoo boy. If JT Krul ever works in comics again then there's something
wrong with the world. A complete stinker. Over-written rubbish of the
highest order. Don't even think about reading this out of curiosity.
Catwoman #2:
The things people hated about the first issue are back in this one. So
are the things people liked about it. This issue isn't going to change
anyone's opinions about it, but I think it's okay. It's annoying
inconsistent though, primarily with the ease in which Catwoman is
smeared across the walls of her apartment, and that's probably the main
reson why I'm not going to be sticking with it. And the post-coital
stuff at the beginning with Batman is just weird. Sorry.
DCU Presents: Deadman #2: Is this even the same book
as the first one? The two issues seem almost completely unconnected and
despite seemingly being sequential (the climax of the first leads
directly into this) Boston Brand is a completely different character and
understands far more about himself and the Supernatural DCU than he did
last month. Maybe it's all that hanging out with Dove. Maybe his real
name is Vulture. Maybe this will be more readable next month.
Demon Knights #2:
SLEEPER BOOK OF THE RELAUNCH. I wouldn't be surprised if nobody was
picking this up, but they're all missing out. This is a hoot from start
to finish, and Vandal Savage is a damn fine comedy creation. Who knew?
If the editorship is letting people write books like this then more
power to them.
Frankenstein #2: Up until this is
cancelled people will be calling it a poor man's BPRD , and with good
reason because it is. I guess it's entertaining enough but it always
feels like it's ripping off other material and the constant comparison
detracts massively. A shame, because the writing is quite good, but
inescapable.
Green Lantern Corps #2: This comic
will never get better than the panel where John Stewart goes "RRARR!"
and Guy Gardner goes "YARRH!". After praise for the last one, this is
far more prosaic and to be truthful much less of a good read. I'm not
sure I like it, it's pointlessly violent in a TINY STOMPING FEET way and
has OH SNAP a villain who is immune to Green Lantern constructs and
rings. WHO CAN GUESS HOW THIS WILL END? I bet I can, and it's with me
quitting the book.
Grifter #2: I really can't
bring myself to care about this. In issue 1 the lead character was
confused about what was going on and in issue 2 the reader is.
Bizarrely, this covers a whole pile of the same ground as OMAC #2 but is
in no way engaging. A waste of ink and paper.
Justice League #2:
Parademons! For Darkseid! I don't know what's more surprising, their
appearance or the fact I actually like a Geoff Johns book. This is far
superior to the first issue and actually goes some way to establishing
the relationship between all the characters - the interplay between Hal
and Barry is pretty great. I repeat, A GOOD GEOFF JOHNS BOOK.
Legion of Super Heroes #2:
This has about 5 different plots going on and works on distraction. If
you keep moving from the main Daxamite plot to one of the sub-soap opera
plots about the internal relationships between Legionnaires fast enough
then it stops all the Legion fanboys realising nothing's actually going
on. Which I don't mind, but I could see people hating. Really not
recommended for anyone who isn't a LoSH fan.
Legion Lost #2:
Conversely, this is much less WOW KEWL than the previous issue and is
far more enjoyable. The characterisation of several of the cast is
brilliant (specifically Timber Wolf) and Wildfire's difficulties in
understanding exactly what's happening with the Doctor and how it
relates to his own life. Excellent stuff.
Mister Terrific #2: Better than the first one, but
that's not saying much. I can't think of a single reason why anyone
would want to buy or read this, and absolutely none of it stands out or
sticks in the memory. Really, why?
Nightwing #2:
Maintaining the high standard of the first issue is very much order of
the day here and it just about achieves it, although I couldn't care
less about Dick's relationship with Circus Girl and really don't need to
see them joining the Mile High Club. (Trousersnakes on a plane!) At the
end we get some kind of really weird reveal about the circus he grew up
in - given the tone of many of the New 52 books I won't be surprised if
it's a paedophile ring - which has me dying to read the next issue,
which is always a good sign.
Red Hood and the Outlaws #2:
I've been dreading this one. Yet, somewhat bizarrely, it barely has any
of the faults which bedevilled the first issue and is actually quite a
good read (although, like the first, in a sub-Deadpool Max kind of way).
The Jason and Talia stuff is, dare I say it, actually pretty good. The
sexism is never too fara away though and I'm sure it'll be business as
usual next month, which is when I leave it.
Resurrection Man #2:
Well, we have a plot this month. Unfortunately it's not a very good
one. We also have some SEXEY KILLER GURLS who can get drawn in stylised
poses, one of whom is wearing what I believe passes in American pr0n for
school uniform. That's bound to help things. Neither of the above make
me want to keep reading this, so thankfully I only have one to go. Very
poor.
Suicide Squad #2: The trouble with reading
too many of these in one go, or writing as you go along, is that you end
up contradicting yourself. This is the genuine sleeper hit of the
relaunch, a fantastic book which makes you wonder why the creators
weren't employed before this. BUY THIS. "Relax. I have a giant hammer."
Supergirl #2:
I think this is secretly the best Superman Family book of the relaunch.
Kara's failure to comprehend the reality of her situation, which forms
the centrepiece of this issue, is excellently written and only generates
further mystery - how did she leave Krypton well after it was
destroyed? Why is someone using her as a trap for Superman? ALL THIS AND
MORE WILL BE REVEALED, TRUE BELIEVERS.
Wonder Woman #2:
Boo, hiss etc. Not a patch on issue 1. You promised us this was a
horror book, Azzarello, so make it one. The first issue hinted you could
do it, so DO IT. (Confession time; I actually did like this but it's a
plain WW book and could have been written at any point, possibly most
identifiably during the George Perez comeback run.) Disappointed.
All-Star Western #2: This builds on the success of
the first issue by continuing to be the Jonah Hex book it replaced. Yes,
it weaves in Bat-elements like the Crime Bible but this only adds to
how great it is. I appreciate (given that I was buying it until the
reboot) I might be predisposed to the title, but it really is brilliant.
Buy it.
Aquaman #2: FUCK YOU GEOFF JOHNS. I liked the last issue but this is Johns Sadface bollocks. Miserable shite.
Batman The Dark Knight #2:
Amazingly, for the second issue on the trot there actually is David
Finch content in this issue. And it's sort of OK I suppose, but it
barely goes anywhere. It's almost a circular story with the conclusion
of this issue the same as the last one, with very little happening of
note in between. I get the feeling if Finch drops out altogether this
could be all right, but I'm not sure I've got either the patience or
inclination to find out.
Blackhawks #2:
Insubstantial might well be the middle name of Mike Costa. This does
nothing and goes nowhere and is not worth your time. Remember the way
Nick Fury strips read in the late 80s? No? Exactly. And that's why this
is so unmemorable.
Deathstroke #2: Can this be
redeemed after the first issue? Simple answer: No. Slightly more
detailed answer: Fuck, no. This is poor quality violence pr0n and
plotless. I could have done something useful in the time it took me to
read this like, I don't know, peeled a banana.
Firestorm #2:
Who are Terror Grunt and what do they sound like? That's what inquiring
minds really want to know having read this slice of 80s nostalgia. Blah
blah nuclear winter blah blah emergency broadcasts blah THIS ISN'T
THREADS. "Think I'm scared? I'm from Belfast, monster!"
Flash #2:
Barry gets to grips with being Flash and pushes what he can do. It
doesn't need any more of a description than that to be honest as this
just develops what we saw last month and adds enough to the mystery to
keep you reading next month, which I will be. Seeing how Barry sees the
world is kind of marvellous.
Green Lantern New Guardians #2: Oh, this went from a
fun issue 1 to impenetrable Johnsy GL bullshit. Wake me up whe you're
finished. The comic itself makes no sense either, with Kyle INCREASING
the amount of casualties from "Red Lanterns and their napalm blood puke"
and X Factor arithmetic (i.e. things being >100% of themselves).
Also, unless I'm mistaken, quite some years appear to have passed
between the end of the last issue and this one, as Kyle reminisces about
the Guardian who chose him and how he's come to think of him as his
"fairy godfather" despite only meeting him the day before. No.
I, Vampire #2:
I can't believe for a minute this is going to run past 6 issues. If it
does, there will be one like this every 10 or so. It's a
trap/escape/spread the legend vampire story, with about as much
backstory as last time. It looks beautiful, but then so does Batwing and
this doesn't have the legs of, say, 30 Days Of Night or The Walking
Dead. I'll enjoy it while it's being published, but I don't expect that
to be much longer.
Justice League Dark #2: This
is a step backwards from last month, with pointless setup and an
unhealthy fascination with Deadman having a shag. Yes, sex again. WHAT
THE HELL IS WRONG WITH YOU, DIDIO? Not every book in the DCU has to have
sex on every page, don't make it editorially mandated. He gets this
>< close to having a fake lesbian scene in it too (fake in that
one of the women is a man, kind of). This is going to turn into a
complete abortion of a book, isn't it?
Savage Hawkman #2:
"INCREDIBLE. THE SYMBOLS ARE BECOMING EASIER FOR ME TO READ!" And the
symbols appear to be saying THIS BOOK IS SHIT, DO NOT READ IT. This is
just muddled twaddle, with the big bad from number one thrown away for a
bigger (maybe) bad and some minor plot related shit in the background.
There's a girlfriend now, possibly, and something something something
don't care.
Superboy #2: In which Astro Boy tries
to punch the universe but his neural inhibitors stop him. It turns out
he's some kind of weapon which it turns out comes in very handy when
some giant shark monsters from Sector 3 turn up. Maybe less so when SHIT
BLOWS UP, as it inevitably does. This is a whole pile of fun, but I
have no idea where it's going. A bit like canoeing blindfold.
Superman #2:
WORDS AGAIN. Last month was wordy, but this is full of them straight
out of the gate. THERE'S A THIRTY-TWO WORD SENTENCE ON THE FOURTH PAGE!
This is such a hackneyed idea I can't possibly believe it hasn't been
done a hundred times before in Superman/Action/whatever and similarly I
can't believe it wasn't done better on the previous occasions. I can't
wait for this to be crossing over with Action and turning it to shit,
which is happening soon. Hitting my cut list, right now.
Teen Titans #2:
Kid Flash, I like. The rest of this book, not so much. MAKE IT MORE
ABOUT HIM. Anyway, this is still a 'build the team' issue but is
starting to get towards an actual storyline. Although yet again we have
some tiresome sexism with chat about Wonder Girl's boobage, and I'm
beginning to get tired of it all. I'm prepared to go with it for a while
but only because Kid Flash is so great. Give him his own book and I can
stop buying this?
Voodoo #2: Last month I gave this the benefit of the doubt. This month I'm taking it back. Next month has Kyle Rayner. CUT!
Green Lantern #2: This is Geoff Johns wank fantasy
made flesh. Basically Sinestro turns up and gives Hal his ring back if
he agrees to admit he's great. He then withdraws it more than once to
prove HIS ULTIMATE POWER OVER GREEN LANTERN. This couldn't get more
Johnsy if it was printed in his spunk. The very fact I'm writing this is
probably setting off his Johns-sense and he's getting wood as I type.
I feel dirty.
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