Batgirl #13: Bat Cross over prequel! Except it just
does the previous Batgirl plot, a needless cheesecake shot and a
conspiracy that revives the plots of the previous year. Doesn't seem
very Joker-y or prequel-y to me. But why reist the temptation of putting
a banner on the cover in the hope of selling another couple of issues,
eh? Because it's all about the money, obviously. And not the integrity
that our heroes are supposed to have. YOU MAKE ME SICK.
Batman #13:
NOW THAT'S HOW YOU BRING THE JOKER BACK. TENSION TENSION TENSION TENSIO
TENSION BAM. This is how you write batbooks. Damn. And the betrayal of
Harley backup is great too. BOOM that's boom of the week right there.
Batman & Robin #13:
A middling book but the page 13 BAM makes it worth reading. All the
same, a very good effort and one which ignores both the Zero Month
nonsense and the Joker return in order to tell the story it wants to.
Which is zombies in Gotham and so still maybe of marginal interest. Ho
hum.
Deathstroke #13: Oh God Rob, I thought you
were done. "I'm the best at what I do." You're not mate. Seriously. I'd
like to say you were the worst, but JT Krul has stolen that even from
you. Must Try Harder. Just not on anything I'm reading.
Demon Knights #13:
Cornell sends all the Demon Knights to Hell under the thrall of Lucifer
and does a pretty good job of it. Yes, it's Etrigan heavy and yes, he
makes him kind of a wuss... but we get Vandal Savage being funny and the
other characters being themselves so perfectly good but not up there
with the great book this week. But better than everything else, so you
pays your money you takes your choice.
Frankenstein #13:
Rotworld but not Rotworld but Rotworld without Rot except in the real
world. Feels tacked-on. Feels inessential. Is tacked-on. Is inessential.
GLC #13:
The Guardians decide Guy Gardner is the best Lantern ever and give him a
new name to prove it, but in doing so bring out his worst enemy ever
(the chap he fought in GLC #0) from their prison and set him free. Guy
is compromised during a trade mission they've set him up on and heads to
Earth but OH NOES ambushed on the way and all the OH WHO CARES. Some
people are dead, some aren't, some might be next month. I can feel the
blood draining from my eyes trying to keep the lights on long enough to
get to the end of this.
Grifter #13: Rob says
Grifter is still great. Marat Mychaels draws Voodoo boss-eyed. Like,
PROPERLY boss-eyed. Pontoon eyes - one twists, one sticks.
He then eats her face while still speaking. My favourite bit though is
Apollo out of Stormwatch dancing while displaying the world's smallest
dinkle.
You'd think any of this made it worth your time. You'd be wrong.
Legion Lost #13:
Even I am tired of Tellus being affected by the "death cry of
billions". Bored of it now and no amount of sprockin' sprockin' can make
it worth the effort.
Suicide Squad #13: Ignoring
the Zero Month bullshit, this picks up where it was beforehand (you
remember, betrayal, ambush etc) and is great but I'm not spoiling the
end other than to say I never saw Floyd doing that. A great read, again.
Superboy #13:
So this crosses over into Ravagers while simultaneously crossing over
into Superman and Supergirl. None of these things make it any more fun
to read. It's sort of ok but all over the place and so really not worth
it but in comparison this week is still very accomplished.
Team Seven #1:
Holographic Wolverine is the only readable thing in this twenty pages
of bollocks. So DiDio, this is going to rejuvenate your line, huh? "I
DON'T THINK SO!"
This pre-dates Justice League #1, yes? WAIT, WHY AM I PRETENDING I CARE?
Ravagers #5: Oh, I'm past fucking caring. Somebody punches somebody else but they're not the X-Men OBVIOUSLY. Not anything worth your time.
Phantom Stranger #1:
Our hero kills a kid with a car in order to chat up a girl inside
Stonehenge. But it turns out rather than doing what God wants him to
he's actually living a secret life with a wife and children without God
knowing. SHH IT'S A SECRET but Pandora has opened her box and found out.
This really is not a promising start. Or a promising finish to the
week. I've had better ones. Oh well.
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